Behind the scenes of The Ghostbusters (1984)


Audrey Hepburn was photographed by Mark Shaw for the June 1954 issue of Mademoiselle.


1950s Rudolf Black tulle Cocktail Dress with rhinestone/star studded bodice and skirt  (via)

Candid of Ingrid Bergman, 1960s


A Foreign Affair (1948) 

Shanghai Express (1932) dir. Josef von Sternberg 


Sharon Tate. Photo by Shahrokh Hatami


The Killers (1946)

Lupita Nyong’o attends the Sindika Dokolo Art Foundation dinner at Cafe Royal on October 18, 2014 in London, England.

(Source: robertdeniro)


The dilemma for Anna May Wong was increasingly obvious. Despite her triumph in The Thief of Bagdad and continued good reviews in mediocre productions, her career was stalled in Hollywood. True, she was now a staple in movie magazines, with full-page spreads appearing regularly. But her chances of moving up from supporting or featured player to star were improbable. Production codes against interracial kissing meant that she could not graduate to star billing, even in films with Orientalist themes. Rather, she had to watch as less talented white women took the roles that might have given her more fame, and at least more sympathetic parts. Despite her great beauty, she was cast as a prostitute, an opium dealer, or simply as insignificant color. Her final scenes featured suicide by knife or death by overdose of opium.

Anna May Wong: From Laundryman’s Daughter to Hollywood Legend (Graham Russell Gao Hodges)

missbunnylunaThirty-one Days of HalloweenThe Addams Family

                      ↳ Morticia Addams + Excellent Parenting Skills

Candid of Elizabeth Taylor, 1967

(Source: audryhepborn)

Olivia de Havilland and Vivien Leigh filming Gone with the Wind, 1939